Untitled (or Décontraction IV)
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Natsoumi
UBIQUITÉ
2024
Somëzuri pigment print on Echizen washi paper
100 x 66 cm
5
Contact Gallery
17.09.2024 – 25.01.2025


LOOKS LIKE ABSTRACTION
GROUP EXHIBITION
Opening: 14. September 2024, 2-6 pm



o.T. / Aura 29
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Maria Jauregui Ponte
Aura
2010/2024
Archival pigment print
Contact Gallery
We are pleased to invite you to our new group exhibition LOOKS LIKE ABSTRACTION, which is dedicated to the theme of abstraction in photography. In addition to five artists from our gallery programme, we have invited three guest artists to take part in the exhibition.

ohne Titel (GLAS XXIV), Zechin
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Ingar Krauss
2016
Photogram on bromide silver gelatin paper, oil paint
24 x 30 cm
Unique piece
Contact Gallery
LOOKS LIKE ABSTRACTION explores the question of when a photograph is perceived as abstract. Was this the artist's intention from the outset? Isn't every photograph initially concrete, only to become something else, such as an abstract image, through the cropping of the picture? The tour of the exhibition answers some of these questions, but also leaves plenty of room for free flight of thought and emotion.

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Janos Frecot
Contact Gallery
The presentation is divided into two sections. In the first section, we show photographs that have their origins in architecture; in the second section, nature provides the basis for the works presented. The chronological arc spans from the 1960s to the present day in 2024. The guest artist is the Japanese photographer Natsoumi, who studied art history at the Université de Paris and now lives with her family in Miyagi, Japan. Her works shown in the exhibition were created this year.
The artist Stefanie Seufert is also a guest. She lives and works in Berlin. Her works have been shown in numerous national and international exhibitions (Berlinsche Galerie, Eskenazi Museum of Art Bloomington, Louisville, Penumbra Foundation NYC and many more). The sculptural works in the exhibition were created in 2016. Janos Frecot is a photo historian, author and was curator and head of the photography collection at the Landesmuseum Berlinische Galerie from 1978 to 2002. As a photographer, he created a Berlin series in the 1960s, from which we are showing a small selection of works.
From our programme we are showing new works by Maria Jauregui Ponte, Loredana Nemes and Anna Szprynger as well as photographs by Ingar Krauss and Edward Burtynsky.
We would like to thank Janos Frecot and Loredana Nemes for their support in the conception and realisation of the exhibition.
07.03. – 22.07.2023


LOREDANA NEMES
TREES, SEAS, AND
THE BEE’S KNEES




On the occasion of EMOP Berlin - European Month of Photography, Galerie Springer Berlin presents the first solo exhibition of photographer Loredana Nemes entitled "Trees, Seas, and the Bee's Knees". The selection of work on view includes the current series of works "Greytree and Heavensea" created from 2019 to 2023, the series "Immergrün" from 2020, the group of works "Blossom Time" from 2012 and the series "Greed", 2014-2017.

Graubaum 10, 2019
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Graubaum und Himmelmeer 2019 - 2021
2019
Gelatin silver print
60 x 45 cm / 98 x 73 cm
Ed. 5 / Ed. 3
signed, dated, numbered on verso
Contact Gallery
For two decades, the artist Loredana Nemes has worked mainly on the theme of portraits, which have been presented in numerous series and institutional exhibitions. Since 2019, Nemes has increasingly approached nature. On Rügen she creates the cycle "Greytree and Heavensea", in which she complements photographs of the beech forest in Jasmund National Park with views of the immensity of the sea. 14 visits in all seasons let her deeply explore this unique natural place and tell of the continuous change inherent in all life.

Himmelmeer 28, 2021
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Graubaum und Himmelmeer
2021
Gelatin silver print
60 x 45 cm / 98 x 73 cm
Ed. 5 / Ed. 3
signed, dated, numbered on verso
Contact Gallery
During the same time she photographs the series "Immergrün" in 2020, searching for lovers who have been together for several decades. Poetic texts and pictures emerge from the stories told by the 14 couples who showed up. In doing so, she explores the question of how the interweaving of souls and bodies of the lovers can be expressed through photography and chooses condensation through analogue double exposure for this purpose.

Graubaum 33, 2020
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Graubaum und Himmelmeer
2020
Gelatin silver print
60 x 45 cm / 98 x 73 cm
Ed. 5 / Ed. 3
signed, dated, numbered on verso
Contact Gallery
In the second portrait series, "Blossom Time" from 2012, the artist captured young people on their way to adolescence. She chooses to take group pictures, but photographs each young person individually and then assembles the images into diptychs or triptychs. "The cycle Blossoming is an ode to youth. The young people do not pose, they are simply there, in the fullness of their existence, just like spring and the blossoming trees that Loredana Nemes has also portrayed." (Katya Petrovskaya).

Dominik, Max, Julius, 2012
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Blütezeit, 2012
2012
3 gelatin silver prints, mounted on alu dibond, individually framed
each 50 x 37,6 cm
Ed. 8
signed, numbered, dated on verso
Contact Gallery
What unites all the series is their inherent stillness, Nemes' empathetic gaze and her non-judgemental portrayal - regardless of whether she shows us portraits of people or of trees. There is tangency in everything: that of the trees standing together like families on a stage, that of the merging old couples or that of the young people who pause mysteriously in front of the photographer and express the friendship and tenderness that unites them.

Gier 18, April 2017
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Gier 2014-2017
2017
Gelatin silver print, mounted on alu dibond, framed, museum glass
58 x 46 cm / 125 x 100 cm
Ed. 7 / Ed. 3
signed, numbered, dated on verso
Contact Gallery

Visit the virtual gallery
20.09.2022 – 11.02.2023


10 JAHRE
GALERIE SPRINGER BERLIN

JUBILÄUMS-
AUSSTELLUNG

Verlängert bis zum 11.02.2023



Millau 003 - 2008
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Aitor Ortiz
Milau
2008
c-print mounted on aludibond, diasec
250 x 125 cm / 180 x 90 cm
3 / 7
Contact Gallery
We are delighted to invite you to our group exhibition marking the 10th anniversary of Galerie Springer Berlin. When we opened the gallery in its current format 10 years ago, it was founded on Robert Springer’s 20 years’ experience of gallery work stemming from a long family tradition. The decision to run the gallery with Heide Springer resulted in a reorientation of the gallery programme towards photography.

Colorado River Delta #4, Sonora, Mexico
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Edward Burtynsky
Water
2011
C-Print
64 x 48 inches, 163 x 122 cm
6
signed, dated, numbered on verso
Contact Gallery
Over the past decade, we are proud to have made an international name for ourselves as a gallery in this diverse field. And alongside the necessary commercial focus, we have always placed great value on quality and curatorial concepts, and see our gallery work as a cultural task. Luck has also played a role in our on-going work in this direction and we are grateful for it.

SYSTEM - Motiv #5
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Jens Liebchen
System
2014
Archival Inkjet Print
110 x 80 cm
5
Contact Gallery
For example, the area around our traditional location in Berlin-Charlottenburg has again developed into a much sought-after area for galleries. Important public and private institutions as well as photography galleries have since taken up residence close by, so that the area has become an attractive and recognised quarter for all interested parties.

Reims, 2012
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Georges Rousse
2012
C-Print
125 x 155 cm
5+1+AP
signed,dated,numbered on verso
Contact Gallery
Over the past ten years, we have succeeded in putting on exhibitions with world renowned photographers, including Edward Burtynsky who we represent exclusively in Germany, Evelyn Hofer, Ingar Krauss, Saul Leiter, Ute Mahler and Werner Mahler, Joel Meyerowitz, Loredana Nemes, Arnold Odermatt and Georges Rousse, and we have enjoyed a successful working relationship with the latter two artists for well over 20 years now.

Wabi Sabi I / 1
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Kathrin Linkersdorff
Wabi Sabi II
2015
Archival pigment print
60 x 60 cm
5
Contact Gallery
We also present recognised European artists for the first time in Berlin: Catherine Gfeller and Aitor Ortiz. And of course our programme includes Berlin-based photographers, covering new approaches as well as new discoveries, such as Kathrin Linkersdorff who is now active internationally, Maria Jauregui Ponte, Anna Lehmann-Brauns, Lohner Carlson, Wiebke Elzel and Jana Müller, Winfried Muthesius, Ashkan Sahihi, Michael Schäfer and Sebastian Wells, and Jens Liebchen and Peter Klare whose new series were shown in our most recent exhibition.
In our anniversary exhibition, we are presenting a special selection of personal favourites, chosen gems and highlights from the previous decade, and premiering a few new works by our artists.
GRAUBAUM UND HIMMELMEER, 2019 – 2023
BLÜTEZEIT, 2012
GIER, 2014 – 2017
IMMERGRÜN
23197, 2017-2018
BEYOND, 2008-2010

Graubaum und Himmelmeer, Loredana Nemes

Loredana Nemes
Graubaum und Himmelmeer

24 × 31,2 cm
112 pages, 50 illustrations, tritone
Text by Loredana Nemes
Design: Hannah Feldmeier, Leipzig
Hardcover with silkscreen, embossed

ISBN 978-3-96070-102-6
Hartmann Books